I know what you’re thinking: “this music I listen to is so boring, why am I so uncool?” Well listen to this and everything will change! All new music from 2012 that I like–the year started slow but exciting stuff is starting to come out.
What cool new music has arisen this year of 2011, you wonder to yourself. Click this mix and find out! A wide-ranging collection of tracks this month, from classical cello loops to beautiful female voices to fast krautrock-style jams. Enjoy!
It took awhile, but I finally got the mix for the next day of this year’s Coachella festival. I initially thought the Saturday was the weakest lineup of the three days, but going through it closely, there’s quite a lot of artists I like (to varying degrees, of course). No huge names for me, but lots of good ones.
Hopefully I’ll have Sunday’s done by the time the festival happens, but since I’m actually not going this year, that doesn’t really matter. It’ll be up in a few more weeks…
Looking back at 2010, there were quite a few wonderful records , many coming from new (to me) acts. I noticed, though, that I tended to start falling behind this year in terms of volumes listened to. That wasn’t despite a massive amount of downloading, thanks to probably the best (and worst) thing to happen to my constant new music addiction since ever, what.cd. Scouring through literally tens of dozens of records either listened to once or maybe missed entirely, I scrambled to put together this year’s list for the last couple weeks. This probably happened more haphazardly than in previous years. I also realized I hadn’t quite given enough attention to many things I either liked or loved upon first listen. So, for the first time, this year’s “top 10 albums” may be more symbolic of what I listened to most than the my actual perceived ranking of them. Nevertheless, I think I have made up for this by including a more exhaustive than ever section of honourable mentions for the completist or those who are looking for a serious challenge in completing their year in lists/libraries.
As usual I have also included some additional lists including records which disappointed me (i.e. I was either expecting or hoping for more from this) and popular records I disliked. Some rules I established for myself last year (noted below) are supplemented with another new addition, “best eps.” I have also tried to include lots of sample mp3 stream/downloads too. If you would like to grab all of these in one sweep, you can do so by clicking here. Also, just for fun, I decided to put all the samples from top records and top EPs up as 8tracks mixes too. You can find those here. Now, without further delay: cyanide breathmint’s best of 2010.
01) no compilations, live recordings, re-releases, etc.
02) electronic (primarily) and/or instrumental albums have a seperate list (see below)
03) each end of year list may contain albums released over last 15 months. once rated, an album may not appear on a subsequent best of year list.
04) EPs have their own list.
Top 10 Albums:
10) The Knife – Tomorrow, in a Year
I talked about this record earlier this year at the outset of this blog. I think it’s pure genius, and its release just so happened to oddly coincide with my own reconnection with a lifelong love of opera music. I probably listened to this a hundred times early on and then put it to rest for the remainder of the year. Check out Annie’s Box, probably the best example of Karin’s ability to sing opera.
Like The Knife, Deerhunter is a standby favorite favorite for me and probably wont surprise anyone by making my top 10 – but I have to say this wasn’t included by obligation. I found Halcyon Digest to be their most enjoyable offering yet. And after getting to see them live for the first time in 2010, I have an all new appreciation of Bradford’s quirky awesomeness. It was hard to choose which mp3 to sample, but Desire Lines seemed to be the best fit for an intro.
2010 was the year in witch (harhar) I became acquanited with this emerging “style.” I had originally written up a primer, believe it or not, on the entire “genre.” After putting hours of work into it I decided it wasn’t really publishable. If anyone really wants this, though, drop me an email and I’ll send it your way. Anyway, amongst the large variety of styles which are bulked together under the witch house label, my favorite has been that of ✝ DE△D VIRGIN ✝. After a few EPs, a full length called Anxieties emerged and blew me away. Anything less distinguished from “witch house” wouldn’t stand a chance of making my top records list.
If you know and love Rasputina, this record is as good as any other. Wish I could say more, but that’s all I’ve got. I’m going to see her in February at the Ottobar in Baltimore and I’m planning on recording audio. If you’re interested, there will definitely be downloads links up here after the show.
I think this is the most ambitious and probably technically the best record of the year. The songs spanning three discs strike me in so many different ways it’s hard to believe these are all one studio album and not some retrospective “best of.” I very much hear/feel a Joni Mitchell vibe in this. Robyn and I had the chance to see her play a few months ago and we were thrilled. Joanna is probably one of the best performers I’ve seen, and her entire crew was impressive. I also got the sense she is a real perfectionist (best evidenced by the woman who took about 45 minutes to tune Joanna’s harp before the show). Once again, very hard to choose a sample. This one is probably my favorite of the record… today.
01) School of Seven Bells – Disconnect From Desire
So, that brings me to the best. As I mentioned above, this probably wouldn’t have one on technical merits alone, but thats not what good music is all about. School of Seven Bells connects with me on a very personal level and that’s what I look for in trying to rank out records. 2010 was a mixed bag for the band, riding on a wave of late success from their last record Alpinisms which slipped underneath the radar in 2008 but was noticed in a huge way last year. Everything seemed to be working well for them, but I was both shocked (and not-so-shocked, this is for another post) when they announced Claudia was leaving the band – but, luckily for us, they would be continuing on just Alley and Benjamin. I had the chance to see them play in Baltimore shortly after and they managed to melt faces regardless. Sure the missing harmony was sad, but they held their own and put on a ridicurad performance. It will be interesting to see where album # 3 falls with the new dynamic. In an appropriately titled summary…
People who know me know about my Snowden addiction. Jordan Jeffares is my heroin. After waiting the last four years for a follow up to Anti-Anti (the 2nd best album of the last decade), 2010 brought an EP featuring five tracks comprising a preview of Anemone Arms (album #2). If I could justify counting this as a record, it would be #1. I could not, so it made top EP instead. I’ll have more to write about Snowden soon, over on Good News.
At the end of every month, I make a mix of music that I’ve found that came out this year. They’re usually a little longer than the minimum 8 tracks, and I hope you can use it to find some new music. This one in particular is kind of a bizarre mix of music! I guess it was a weird month.
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