Tag Archive for 'Big Boi'

Life In Mixtape Form #91

Life In Mixtape Form #91 from almostaghost on 8tracks Radio.

Boom bip

- almostaghost

January 2013 mix

January 2013 from almostaghost on 8tracks Radio.

Here is my monthly mix of new music from 2013. Looking ahead, there’s quite a few of my favorite artists putting stuff out this year, or expected to. So far there’s been a couple things I wanted to share, but not blown away by anything yet. Surely that will turn around soon.

- almostaghost

Dreamsicle Bomb – Best Songs Of 2012

Dreamsicle Bomb – Best Of 2012 from almostaghost on 8tracks Radio.

Here’s a mix of some of my favorite 2012 songs. A lot of overlap with my top album list, obviously, but there’s some other things too.

Also I’ll note, I’m pretty sure Big Boi’s album would have made my list and near the top, it’s awesome, but it didn’t come out in time. Artists, release your albums before mid-December, thanks.

Anyway, year over, now it’s 2013.

- almostaghost

Life In Mixtape Form #16

Like last week, my week was again highlighted by a concert. This time I went to see Lykke Li (and Best Coast). I’ve seen Lykke before, in a small venue, but I found this bigger outdoor theatre performance to be much more memorable. I think it fit her unique stage presence. Part of that was having a 2nd album of songs–she just kept playing more and more songs that I liked and I kept thinking, “oh yea I forgot about this song!” It was great to hear the new stuff live; sometimes I just listen to the albums so much and sometimes I get a little nitpicky critical in thinking about them. But then to hear them live makes me step back–yes these are great songs.

(Best Coast was fine; all their songs sound the same.)

- almostaghost

AlmostAGhost’s Best Albums Of 2010 – #6. Big Boi – Sir Lucious Left Foot: The Son Of Chico Dusty

boi stop

I live for today, plan for the future, pack a lunch and haul ass

#6. Big Boi – Sir Lucious Left Foot: The Son Of Chico Dusty

My countdown, I noticed today, is short on rap. I do listen to it a fair bit, but sometimes I find rap albums are all relatively formulaic. They all do the same things, and can be difficult to distinguish from each other. There are quite a few artists who come at it with intelligence (like, The Roots), skills (Wu-Tang), or creativity (Outkast), but even good albums can sound similar. Big Boi is of course part of Outkast, and yet another Artist Going Solo who made my countdown. What did he do on this album that other rappers could not?

It took me quite a lot of thinking to realize this album. I knew I liked it a lot, and what it came down to was simple. The beats are awesome. Roughly half the song are hot rap beats (like “Daddy Fat Sax”), but the other half display a crazy creativity that is rare in rap. I know that André 3000 gets the credit for a lot of creativity in Outkast, and I won’t deny that, but Big Boi has always been overlooked in this department. (Big Boi is the one trying to collaborate with Kate Bush, for instance.) (Please happen.) Big Boi brings his creativity to a fairly typical hiphop world, showing a mastery that very few have.

I’ll try to go into more detail. A few albums ago, I wrote about how Corinne Bailey Rae scaled back her voice, which ended up enhancing the emotion of her album. A lot of Big Boi’s beats here are skeletal, scaled back, which in the end makes them extremely funky. You don’t have to go big to be big. The music at times is claustrophobic and tight. “You Ain’t No DJ” is tense, riding a percussive electro beat, produced by André 3000. A few other tracks highlight Big Boi’s really fast flow above all (like “Night Night”). Big Boi could have easily put out an album full of great tracks like these.

But he didn’t stop there. He showed off his creativity with songs like “Turns Me On,” where a skittery scat vocal loop slowly develops into one of the lushest beats of the year. “General Patton” combines horns with an opera chorus. Opera! It took me awhile to get into “General Patton,” it’s the most aggressive song on here. But once you hear it, you cannot unhear it. The drama is undeniable, and that opera loop is wild. “Fo Yo Sorrows” has all sorts of stuff you don’t hear on usual rap tracks (and some you do, like George Clinton).

Sir Lucious went through years of label politics to get released. (That’s why the 3 songs with André 3000 rapping on it were left off; fortunately Big Boi leaked 2 of them to the web.) There are times Big Boi can be ridiculous, like the over-the-top title, or the not-funny raunchy skits between songs. But this album is an impressive work by one of the masters of the rap genre.

Big Boi – “General Patton”

Big Boi – “Be Still (feat. Janelle Monáe)”

Big Boi – “Fo Yo Sorrows (feat. George Clinton, Too Short & Sam Chris)”

- almostaghost