a mix of 50s/60s-esque garage rock, post-punk, bubblegum, queercore, and riot grrl to melt your face off.

now playing
a mix of 50s/60s-esque garage rock, post-punk, bubblegum, queercore, and riot grrl to melt your face off.

This seems to be getting more difficult every year! 2011 was filled with so much great music and I feel like I had such little time to appreciate that. This year’s rankings were truly the hardest ever to compile. Looking past the sheer volume of great new (and “newish”) acts which have emerged, old favorites returned with new offerings, there’s also the fact that my tastes have been diverging in two distinct directions.
My love for shoegaze has has come into the forefront this year, somewhat shattering the usual suspects for top 25 positions. Nevertheless, all those beautiful walls of noise simultaneously crashing down upon my ears couldn’t ever make up for good song writing and talented vocalists. I think that’s reflected in the mix of albums in this year’s Top 25.
I had originally planned doing “reviews” for the top 10. However, I only had enough patience and focus to get the top spot for you. I have included a sample mp3 for each of the top 25 albums. If you would like to grab all of these at once (plus a few bonus tracks), click here.
[UPDATE DEC 26 2011] The honorable mentions have been updated after reading my colleague betweenthesound’s amazing 2011 write up. If you haven’t seen that, you should go read it now (or perhaps right after you finish this post). She managed to (once again) slam me with a gang load of records that were way beneath my radar, but that would definitely have put huge dents in my Top 25 list as it stands.
Without further ado, here they are…
25) Asobi Seksu – Fluorescence

24) The Mountain Goats – All Eternals Deck
The Mountain Goats – High Hawk Season

23) The Dodos – No Color

22) Radiohead The King Of Limbs

21) Brute Heart – Lonely Hunter

20) Future Islands – On The Water
Future Islands – Give Us The Wind

19) Dearling Physique – Deadeye Dealer
Dearling Physique – Oh This Currency

18) Neon Indian – Era Extraña

17) ∆AIMON – AMEN

16) Thurston Moore – Demolished Thoughts
Thurston Moore – Orchard Street

15) Screen Vinyl Image – Strange Behavior
Screen Vinyl Image – My Confession

14) The Vera Violets – In Between Fires
The Vera Violets – Down Tonight

13) The Horrors – Skying

12) Ladytron – Gravity The Seducer

11) The Antlers – Burst Apart
The Antlers – Every Night My Teeth Are Failing Out

10) Active Child – You Are All I See

09) I Break Horses – Hearts

08) Atlas Sound – Parallax
Atlas Sound – My Angel is Broken

07) Laura Marling – A Creature I Don’t Know

06) Zola Jesus – Conatus

05) PJ Harvey – Let England Shake
PJ Harvey – In The Dark Places

04) M83 – Hurry Up, We’re Dreaming
M83 – Raconte-Moi Une Histoire

03) Anna Calvi – Anna Calvi
Anna Calvi – Love Won’t Be Leaving

02) Brief Candles – Fractured Days

01) Ringo DeathStarr – Colour Trip
In nearly every review, interview, blurb, or blog post post you’ll read about Ringo Deathstarr, you’ll find three common elements.
1. Trio from Austin
They’ve actually gone through a couple lineup changes over the past 5 years, but have mostly stuck to this formula. The creative element is lead vocalist/guitarist Elliott Frazier. After bassist Alex found her way into the band (2007) by apparently just showing up for practice, things have mostly settled down, just finding the right drummer (as of this writing / hopefully “final” – that’s Daniel Coborn).
2. These guys sound like My Bloody Valentine
Drownedinsound put it this way “ If in the meantime you’ve lost your copy of Loveless, you could do far worse than listen to Colour Trip.” Yeah, it’s true. Too bad Loveless
3. The bassist (Alex Gehring) (now going by “galexy”) is so hot
So there, that’s out of the way. If it’s a more recent post you might read about how these kids just toured the UK/Europe with The Smashing Pumpkins. I have to admit kind of hate those dudes, but ultimately it means more exposure for Ringo Deathstarr and so I guess it’s not a bad thing. Moving beyond those tidbits, you get into a the music.
In case you haven’t noticed I don’t do traditional reviews. I leave it to others to finely dissect the record. Instead of telling you how it sounds (just listen for yourself), I offer you how the record felt. Colour Trip hit hard for me. This was probably my favorite record Fever Ray’s 2009 debut, and going back further it would have to be Snowden’s Anti-Anti (2006). Before I totaled my car, this record could very often be heard at extremely high decibels pulsing through the streets of Baltimore weekday evenings. Dark reverberation and the haunting fuzz draped chanting of Alex form the basis of my song of the year – Two Girls (stream/download below). For the life of me I can’t tell you what the fuck she is saying, but she is saying it just right. Besides being the single most addicting track of 2011, there’s an equally worthy video directed by Alex, which you can also find below. Be forewarned: One might say it’s NSFW.

Austra – Feel It Break
Girls – Father Son Holy Ghost
Hunx & His Punx – Too Young To Be In Love
Metronomy – The English Riviera
Radical Face – The Family Tree – The Roots
Shad[]wb[]x – Lady Doome [EP]
St. Vincent – Strange Mercy
SBTRKT – SBTRKT
Washed Out – Within & Without
Arc In Round – II [EP]
Apparat – The Devil’s Walk
Battles – Gloss Drop
Björk – Biophilia
Big Black Delta – BBDLP1
Bombay Bicycle Club – A Different Kind Of Fix
Bon Iver – Bon Iver
Brazzaville – Jetlag Poetry
Chad VanGaalen – Diaper Island
Class Actress – Rapprocher
Com Truise – Galactic Melt
Computers Want Me Dead – Computers Want Me Dead
Cut Copy – Zonoscope
Destroyer – Kaputt
Dolorean – The Unfazed
Ducktails III – Arcade Dynamics
East River Pipe – We Live in Rented Rooms
Echo Orbiter – More Batteries
Feist – Metals
Fleet Foxes – Helplessness Blues
Grimes & d’Eon – Darkbloom [split ep]
Haley Bonar – Golder
Haujobb – New World March
Hercules & Love Affair – Blue Songs
High Places – Original Colors
IAMX – Volatile Times
Iron & Wine – Kiss Each Other Clean
Kate Bush – 50 Words For Snow
LAKE R▲DIO – Delta
Little Insects – Brighter Than Darkness
Lorelle Meets The Obsolete – On Welfare
Lumerians – Transmalinnia
Lykke Li – Wounded Rhymes
Malajube – La Caverne
Morpheme – Infection
Niva – Feverish Dreams [EP]
Mogwai – Earth Division [EP]
Music for Headphones – Life.in.Mono
Niva – Feverish Dreams [EP]
ohGr – Undeveloped
Passwords – Passwords
Phantogram – Nightlife [EP]
Pipes You See, Pipes You Don’t – Lost in the Pancakes
Prefuse 73 – The Only She Chapters
Rachel Goodrich – Rachel Goodrich
Seapony – Go With Me
Smith Westerns – Dye It Blonde
Starfucker – Reptilians
Stephen Malkmus & The Jicks – Mirror Traffic
Stevie Nicks – In Your Dreams
Stumbleine – All for your smile
Taken By Cars – Dualist
The Pains Of Being Pure At Heart – Belong
The Rosebuds – Loud Planes Fly Low
The Sea and Cake – The Moonlight Butterfly
Tropic of Cancer – The End of All Things
TV On The Radio – Nine Types Of Light
Tycho – Dive
Ume – Phantoms
Vondelpark – nyc stuff and nyc bags [EP]
Wagon Christ – Toomorrow
Warm Ghost – Uncut Diamond EP
Wooden Shjips – West
Woodsman – Mystic Places
Wire – Red Barked Tree
Young Galaxy – Shapeshifting
Yuck – Yuck
††† – † EP

This is a mix which I have tried completing several times, but never got it quite where I wanted it. You may also notice there are a few songs which are out of place form the main theme. I think this is done as it will ever be. No apologies.

In 2008, I was in Chicago for a conference. As the plane landed I was looking up shows in town for my week stay and was shocked to find Amanda Palmer was playing a solo gig the next night. And it was totally sold out. I had seen the Dresden Dolls before, but this Amanda solo thing was brand new. Apparently she had done a record, which had leaked just before I left for Chicago, but I hadn’t heard it yet.
After spending nearly my entire first 24 hours in town making calls to the venue, record stores, ticket agencies, and even asking the hotel concierge if he could help, the evening was upon me and I was ticketless. I decided to head down and see if I could just find tickets waiting in line. When I got to the venue, the line was wrapped around the building. I started walking down the perimeter, and asked if anyone had extra tickets probably each batch of 5 people or so. I got to the end with no luck. So, I turned around and walked straight back up and asked again.
This repeated for about an hour. I had asked many of the same people, probably 5-6 times if they had tickets. The evil looks I was getting were almost enough to make me give up, but I decided to wait in line and see if maybe somehow by the time I got to the front my luck would change. I had taken to discussing the Dolls and AP (FYI: this was the pre-AFP era) with a couple that had driven all the way from Green Bay. They had seen the Dolls about a dozen times, and encouraged me to keep trying. Overhearing our conversation, other people waiting in line shared encouraging words and one girl even said “you were meant to get in this show.” I tended to agree!
When I was about 40 feet from the entrance, a bad falafel saved me. This girl came up to me with one ticket in hand. Her friend had eaten some bad falafel and was leaving. The ticket was mine. Victory was mine. I triumphantly proceeded inside and after checking out some wicked merch I couldn’t afford, I found my seat. And then I was introduced to Vermillion Lies. That could be a whole blog in of itself, but I reserve myself by relating to you that they ended their set with crowd holding hands, swaying, and singing along thusly.
Suffice it to say that the night was off to a great start, and it was about to get even better! The lights went down, the cheering started, and then came the following. I ask you stop here, watch the video, and then continue reading.
Did you watch yet? If not, stop reading and play that video straight through. I’ll be waiting for you.
Done? Ok, so I will in no way make the implication that Amanda Palmer is Michael Jackson. But if she was, this was her Motown 25 moment. Ok, so I just took a break from writing and watched that performance of Billie Jean. I reiterate, Amanda Palmer is no Michael Jackson. Anyway, Amanda went on to play many songs from the forthcoming Who Killed Amanda Palmer record, mostly just blowing us away one song after another. There were also some Dresden Dolls songs, several covers, and two encores. The full setlist can be found here. She closed out the night with her now famous ukulele rendition of Creep, joined by the sisters Vermillion. At the time, nobody had heard her do this before. It was so fucking special.
Of course, anyone who has seen Amanda before knows it ALWAYS feels that way. That, my dear readers, is because it ALWAYS is. What makes Amanda so special, is that she knows it’s all about the fans. She gives us everything she has to give, and thats why we always keep coming back for more. Unfortunately, this is the only video I could find of that closing number. However, despite the clipped audio, that crowd roaring pretty much captures the moment perfectly.
If anyone reading this knows the girl who got sick on her falafel, or her friend who got me that ticket, please have her write me. I’d love to thank the both of you personally for having made possible one of my all time favorite concert experiences.

since we last spoke… lots has been happening in my life. hence, it’s been a while since i’ve had time to do a mix. well today, i decided it was tine to remedy that. here’s three new mixes for you.
version f – electronica, 80′s-ish nostalgia, quirky, landscape, experimental funness.
version g – shugheiz, shoegaze, rockout, chill, shoegaze
verison h – electronic, pop, indie, with a hint of shoegaze



just a quick post to share a new mix – the other side. this mix is composed of eight songs from varying genres, but with a twist. each track is an alternate version of it’s commonly known counter-part. i hope you enjoy!
- breathmint